OXFAM AID 2012 ~ 23rd March @ Wah Wah Lounge

by J-Slyde

Oxfam Trailwalker is one of the world’s leading team endurance challenges, with 16 events in 13 countries and growing. Oxfam Australia now holds three events each year: Brisbane, Melbourne and Sydney. Globally, Trailwalker has raised more than $100 million since 1981 for Oxfam’s valuable work around the world.

To coincide with this year’s Oxfam Trailwalker, we’re putting together a fundraising gig at Wah Wah Lounge. Assembling an all-star lineup of some of Melbourne’s finest beat conductors, we’ll be providing a night full of quality tunes to raise funds for the cause. Covering everything from Breaks, Techno, Prog and House, the night will be a journey through all that is quality in dance music.

All the DJs involved are offering up their services for free, with all door sales going straight to the fund. Adding to that, 10% of bar profits will be going straight towards Oxfam – SO THE MORE YOU DRINK, THE MORE MONEY WE RAISE! There’s never been a better excuse to party!!

LINEUP:

Dave Pham
Muska
Citizen.com
J-Slyde
Simon Murphy
JD
Alex Butler
Steve Dixon
Cosmic Wolf

PRICE:

$5 entry (goes straight to Oxfam)

WHERE:

Wah Wah Lounge (in the Bubble Bar)
Level 1 / 185 Lonsdale Street, Melbourne CBD

WHEN:

Friday 23 March
9pm til late

MORE INFO:

http://trailwalker.oxfam.org.au/melbourne/

DONATE:

http://trailwalker.oxfam.org.au/melbourne/teams/team/?team_id=12033

FACEBOOK INVITE:

https://www.facebook.com/events/147155948739335/

Interview with a Butler

by Taran M

On Sunday just passed it was my pleasure to catch up with one of Melbourne’s rising pound for pound DJ’s and friend of Substance, DJ Alex Butler, or as he casually refers to himself as “The Alex Butler Experience”. It takes a bold and brash personality to adorn themselves with the title “Experience”  and for those that don’t know him, you would simply write it off as DJ wankerism 303. But to those afforded the luxury of being in his inner circle, it’s actually more of an ironic middle finger to the conformity of what a DJ is nowadays, done with a ball’s out this is what I have, if you’re not laughing at it you should be stomping your ass off to it. So with beer in hand and recorder set to stun I set about interviewing Alex at the home of his own branded “Sunday Sessions” at the Terminus in Abottsford.

Substance: So mate how is that Tasmania came to lose you, what did you do with the second head?

Alex: I was living in Tasmania and one day got a phone call from my brother, basically telling me to pack up my shit and come over to Melbourne to party with him. So three days later I packed up my life into my car came over on the boat and was straight to Hard Kandy on the Friday night. They perform the operation to remove the third head before you get on the boat.

Substance: So you’re a real boat-person, wow you’re my first. So before you came over to Melbourne you had had your first experience in real big clubbing/ partying. Tell us about it?

Alex: Yeah I had been over here on a sporting trip to Melbourne in 2003 and was pretty buggered and after thirteen days of games. On the Friday night my brother said “Fuck it, I’m taking you partying”. So we hop into his car and after about half an hour of driving I asked where we were going. I found out we were going to a party, at a castle in the middle of nowhere. Was a bit shocked and had no idea what I was in for. Got to the front of the castle and I was amazed, I hadn’t seen ravers or set foot in a proper club before and there’s Kryal Castle done up to a T, I was amazed. I met Scott Alert back stage and when the night was done there was no looking back, I spent every Friday at Hard Kandy for the next three to four years.

Substance: When you first started getting into the scene did you know that you wanted to be a DJ/ Producer. Asking because you have been in the scene for awhile its only the last few years we’ve seen you really step up to the plate?

Alex: Nah, wasn’t like I wanted to get into DJing immediately I just liked to head out and party. I had a few friends that showed me the ropes, mixing wise and producing. It wasn’t until about 2006 that I started getting into the tunes, bought some decks and gave it a crack.

Substance: So you started playing electro house and Trance with Kandy at the start of your career and you’ve definitely headed into a more bushy sound, what are you preferring to play at the moment, What’s the Alex experience offering listeners at the moment and where is it heading?

Alex: I’m playing a hybrid of prog trance with definitely a more psy sound. It’s a universal sound, crosses over but it’s definitely got a tough feel to it. On the flip side I do like to get down and dirty and have a bit of fun playing electro house still. I’m definitely pushing the prog psy as my definitive sound though. I’m starting to produce tunes in this vein so that’s where it’s all heading.

Substance: Worst gig experience? If you had five robotic dancing chickens would that have helped the gig?

Alex: I ran an after party for a Substance, nothing worked, it was at Pony, which was a miss-booking in terms of a venue, we were heckled by people that saw us play there the last week, even though that was our first night. At the end of the gig we grabbed our shit and we broke out.

Substance: How important is the crew that you hang with n the EDM?

The support from the guys around in the early days, like the Substance crew was important. More so now my mates like Simon Murphy and Jordz have given me the avenues to get the gigs I’m getting. It’s great to have mates around me doing this cause the main reason I started this was to have fun with my mates.

Substance: Tell me about the beach party you and Simon destroyed New year? By all reports it was just a docile little affair until you and Simon got on and fucked shit up, is it true you laced the water with stimulants?

It was a docile party to begin with and was pretty tame during the day lots of people sitting back relaxing , the sun went down, we started bashing out the prog psy and shit got loose, started rocking it. I wish we could afford to lace water with drugs, unfortunately we are not that rich.

Substance: Use the words “Mint”,  “Fresh” and “slapper” to describe the average situation behind the decks:

Alex: (Laughs) I’d like to think the tunes I play are pretty fresh, I like looking out at the mint chicks on the dance floor until the lights come on and they’re all slappers.

Substance: What is the one artist and or event you would give your left nut for a gig at?

Alex: Rainbow Serpent Open or straight after Neelix, market stage… Go hard or go home!

Substance: You’re really into Neelix?

Alex: Yeah he got me into that prog sound, everytime i see him play he never disappoints, he steered my sound towards a more rounded prog sound, definitely diverted my attention from hard trance.

Substance: So we’re at Sunday Sessions at the Terminus which you run with Simon, what is this all about? Is this the Dr. Jekyll to your Mr. Hyde?

Alex: This is more just for us to have an outlet to hang with our mates, play some chill out hip hop. We just thought it would be a nice change of pace to cross fade some tunes and enjoy a beer garden with a mean parma.

Substance: What’s the biggest problem that the Melbourne EDM is facing and don’t say clubstep!

Alex: I would definitely  say it’s the stigma that some venues still have to partying, more so a throwback to the damage caused by bad crowds and negatively geared press towards the EDM as a whole. Liquor licensing and councils are slowly become more of a problem for venues.

Substance: Whore yourself again, Where are you playing next? What are you upto?

Alex:  I’m playing an electro gig at Hard Kandy, with “The freak” Daniel Johnston going bananas on some tough electro. Then there’s a party coming up in a couple of weeks, ill post it underneath the article…. I’m also playing a two hour prog set down in the Otways in March, that’s going to be a good little doof.

 

For more info on Alex and upcoming gigs visit his Facebook page.
You can catch him playing every second week at the Sunday Sessions at Terminus Hotel in Abottsford.

They turned the Punters Club into a Bimbo’s and you expect Miss Libs to Survive!

by Taran M

Miss LibertineI really feel for the youth and future youth of Melbourne today. For this week marks I feel, the point where Melbourne essentially turned the corner into being the next Sydney. For a cultural epicenter hell bent on being the epitaph of all things live music, we should be ringing the alarm bells, just as long as these bells don’t disturb the neighbors or compromise some form of the liquor licensing act. With the closing of Miss Libertines in the city as we see not just another EDM venue dead, but another consistent outlet for quality music, be it dance, rock or Sudanese hip hop gone.

The writing was on the wall the moment the pokies boom crashed through Melbourne’s pub scene in the late 1990’s. Suddenly the licenses of traditional music venues and suburban pubs were bought through strong arming and deep pursed conglomerates hell bent on ensuring that rows upon rows of poker machines spread through the floor space of alcohol spilt floors. Suddenly the abundant crash of a high hat, tear of a C chord or wail of a post punk singer was replaced by the lounge instrumental of Kylie’s “Better the devil you know”. The reeking of high grade formica fake plants, with the standard resolute carpeting and the chirping of electronic machines replaced the crowd, the sweat and now more so then ever, the tears. Music not just in Melbourne but round Australia is being left with nowhere to run.

It isn’t so much this historical threat that is such an issue now. It is the demand of the general public to move into the inner city and embrace the “Most liveable” city, by literally jamming into the CBD, Richmond, Collingwood. The next time you are in the CBD have a good look at the number of gantry cranes littering the skyline,  consider all of these are primarily residential developments.  Live music and electronic music is a beautiful loud, sweaty, seething, almost apocalyptic  heathen playground. “Joe the lawyer” who lives on the 20th floor does not want to hear Simon Murphy and J-Slyde bang out a 2 hour prog set at 3am….. unfortunately. In the venues I have dealt with when running Substance, we have always had problem surrounding noise complaints.  Now the powers that be, local Councils, VCAT, Liquor Licensing and to a lesser extent the police (remember, the boys in blue enforce policy, not create it) offer no protection towards venue operators once people move in and around the venue. Noise complaints for licensed venues are registered and held by Liquor Licensing, much to dismay of some venues it becomes clear that when a license is up for renewal, and it’s a venue with numerous complaints for noise, you’re going to have a hard time renewing it.

Miss LibertineThe other factor is what expenses a phone call for a noise complaint actually costs, especially if it is put through the police or through a council complaint line. After a complaint for noise a minimum of two police officers are sent to investigate (while somebody is beaten to a fucking pulp on King St), after investigating they file their incident report. That has cost the government an hours wage, choked a public resource and created a threat for the public because it has diverted the attention of the police. Now the council gets involved, because both Liquor licensing and the council have permits and licenses hooked into the venue. The Council issues a $2000 fine for consistent noise complaints, venue owner hires lawyer  to contest…. You see where i am going with this hopefully??? All because some fuckwit has moved into a flat next door to a live music venue……. This was made by one phone call. No wonder the live music scene in Melbourne “Ain’t what it used to be”.

This is where Adelaide has it right, and fuck me it’s not often that happens (the mantra of “But when it does it’s priceless” comes to mind). In Adelaide if you move in or around an existing music premises, by law you have no reasonable right to complain regarding “Acceptable” noise.  As it is seen:  “You moved there, the venue was there before you,  why do you think you’re paying $200 a week for a five bedroom apartment above a nightclub? “Dear Melbourne…. Investigate this….It will work…”

If it isn’t the Punters club (where Bimbo Deluxe now stands, used to be one of the best live music venues in Australia) QBH, Viper and now Miss Libertines. We’re losing our cultural flare. In years gone by it was just the promoters that vanished into the night, now the very venues that once carried them are joining them.

Prognosis ~ Feb 18th @ Loop

by J-Slyde

Prognosis - Feb 18th

Coming off the end of a most successful year Prognosis are getting set to usher in 2012 the only way they know how – hot beats, good times and a shitload of PROG!

Headlining festivities for this edition are Chris Meehan and The Chunky Fuckers.

Somewhat of a legendary figure in prog-circles around town, Chris Meehan has done it all – from holding residencies at some of Melbourne’s most influential and successful club nights (Qbar Sundays, Republic @ Room 680), through to supporting major international guests such as Sasha, Digweed, Satoshi, Hernan, Seamen and Nick Warren. Representing brands such as global Underground and Renaissance whenever in town, Chris is well respected by his peers and punters and not only recognized as a true DJ, but also a highly accomplished producer, with recent releases on Avante Garde, Baroque and Movement Records, to name a few.

Stalwarts in the Melbourne prog scene, The Chunky Fuckers (Jayson Holden and Herc Kass) are well versed in all that is funky and driving. Not just DJ’s however, the boys are extremely talented on the production tip, and with third member in tow, Adam Holden, they have had a bevvy of releases out on Underground City, Polytechnic, Movement recordings, Overground Digital and Indigo. Needless to say, when they hit the decks for a 2 hour feature set – mayhem is set to ensue!

On support duties, we’re very excited to welcome newcomer to the decks – Thomm Brooke. Always on the lookout for fresh and interesting talent, our ears were pricked when we heard his latest promo mix. Not intent on letting such talent go to waste in the bedroom, we’ve managed to convince him to come down and open up proceedings with his mix of deep and sublime beats.

Residents J-Slyde, Simon Murphy and Aaron Static will also be in tow – bringing to the table their usual blend of upfront prog and tech tunes.

With our two resident VJs on a break, visual duties for this edition will be handled by the extremely talented Manoeuvre.tv aka Richard De Souza. One of Melbourne’s, if not Australia’s, most talented visual artists, Richard has done them all – Big Day Out, Summadayze, Parklife, along with visual production on Ministry Of Sound commercials, and much much more. To say we’re in good hands would be an understatement!

LINEUP:

Chris Meehan (Long Term Effects, Kiss FM)
The Chunky Fuckers (Underground City / Polytechnic / Movement Recordings)

J-Slyde (Substance)
Simon Murphy (Substance / Interview / Unstable Sounds)
Aaron Static (Indigo / Hyline / Spherax)
Thomm Brooke

VISUALS:

Manoeuvre.tv
https://www.facebook.com/manoeuvre.tv

PRICE:

FREE!!

WHERE:

LOOP – 23 Meyers Lane, Melbourne CBD

WHEN:

Saturday, February 18th
10pm till late